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Délit de Cuivre

A live show filmed with three cameras to preserve the full performance, then create a teaser and four short formats for social media.

One shoot, multiple uses: archive, promotion, mobile clip, visibility after the show.

Cover image of the Délit de Cuivre project.

Keeping the full show.

The starting point was simple: document the Délit de Cuivre show without reducing it to a few isolated shots. A full capture keeps a clean record of the performance, useful for archives, distribution and conversations with future programmers.

The setup secures the edit: two fixed cameras keep the action going continuously, and one operated tracking camera stays close to the details, the looks and the rhythm of the stage.

Main teaser, designed as an entry point into the world of the show.

Pulling out what hooks.

A well-planned capture goes beyond the full film. Editing also means spotting the moments that work on their own: an intention, a break, a gag, a gesture, a burst of stage energy.

Four vertical clips were created in 9/16 format for social media, alongside the main film in 16/9. The goal: spark interest fast, on mobile, without asking the audience to watch long content on first contact.

Extending the lifespan.

This kind of project turns a one-time performance into communication material. The show lives on after the day itself: on social media, in a presentation, in a programming request or in a clean archive.

The client leaves with a long-form base and short content — a reserve of formats usable over time.

The edits (teaser, short formats) are then defined with the company, in a range calibrated to their needs and budget.

Repère budget

The multi-camera capture — two fixed cameras and one operated tracking camera — was designed for a tight budget, from ~CHF 900.–.

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Gwen & Tiana

Event, video, graphic design