Two shoots, two purposes.
The project was built in two stages. The dress rehearsal was filmed first, using a steadicam to get close, fluid shots near the performers and their movements.
The live show itself was then captured with two cameras: one fixed on a wide shot to keep the whole stage in view, the other on a close tracking shot to capture expressions and details. This combination ensures a varied, dynamic edit without adding risk on the night of the performance.

